WEFOUNDPaisaje Sounds and Ringtones


One of the interesting things about 120 medium-format film is that there are a range of cameras which shoot varying size images with it. 35mm film cameras normally shoot a 24mm x 36mm frame size, but 120 can be 6cm x 4.5cm, 6cm x 6cm, 6cm x 9cm, or even 6cm x 12cm. Its a very versatile format. However, there's no reason you can't go even bigger than that! This Instructable shows you how to build a camera that uses a wide angle large-format lens to expose a 6cm x 17cm frame. That's an image with a nearly 3:1 image ratio, and a 100 degree view. At that size, it only gets four shots per roll!

This Instructable is to help you if you are interested in building our own 6x17 panoramic camera. The basis of this camera is pretty simple; a light-proof box that holds the lens the correct distance from the film, and a simple film transport system.

The lens I used is a Schneider Super-Angulon 90mm f8 . This is a large format lens, which usually have an integrated shutter and aperture so this helps make the build process much simpler. Focal plane shutters are much more difficult to make large enough for a negative this size.

One of the interesting things about 120 medium-format film is that there are a range of cameras which shoot varying size images with it. 35mm film cameras normally shoot a 24mm x 36mm frame size, but 120 can be 6cm x 4.5cm, 6cm x 6cm, 6cm x 9cm, or even 6cm x 12cm. Its a very versatile format. However, there's no reason you can't go even bigger than that! This Instructable shows you how to build a camera that uses a wide angle large-format lens to expose a 6cm x 17cm frame. That's an image with a nearly 3:1 image ratio, and a 100 degree view. At that size, it only gets four shots per roll!

This Instructable is to help you if you are interested in building our own 6x17 panoramic camera. The basis of this camera is pretty simple; a light-proof box that holds the lens the correct distance from the film, and a simple film transport system.

The lens I used is a Schneider Super-Angulon 90mm f8 . This is a large format lens, which usually have an integrated shutter and aperture so this helps make the build process much simpler. Focal plane shutters are much more difficult to make large enough for a negative this size.

Soundscape Ecology represents a new branch of ecology and it
is the result of the integration of different disciplines like Landscape
ecology, Bioacoustics, Acoustic ecology, Biosemiotics, etc. The
soundscape that is the object of this discipline, is defined as the
acoustic context resulting from natural and human originated sounds and
it is considered a relevant environmental proxy for animal and human
life.

With  Soundscape Ecology  Almo Farina means to offer a
new cultural tool to investigate a partially explored component of the
environmental complexity. For this he intends to set the principles of
this new discipline, to delineate the epistemic domain  in which to
develop new ideas and theories and to describe the necessary
integration with all the other ecological/environmental disciplines.

The
book is organized in ten chapters. The first two chapters
delineate principles and theory of soundscape ecology. Chapters three
and four describe the bioacoustic and communication theories. Chapter
five is devoted to the human dimension of soundscape.  Chapters six to
eight regard the major sonic patterns like noise, choruses and
vibrations. Chapter nine is devoted to the methods in soundscape ecology
and finally chapter ten describes the application of the soundscape
analysis.


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