WEFOUNDThe Print Collection: Babar


SIMEONIE TEEVEE a) Reserved Linda 20. Saputiit (Handmade Fish Weir) Stonecut & Stencil Paper: Kizuki Kozo White Printer: Ashoona Ashoona 47.5 x 67 cm $600...

TIM PITSIULAK 4. Ancient Beluga Etching & Chine Collé Paper: Arches White & Tengu-Jo Tissue Blue Printer: Studio PM 64 x 80 cm $1200

ANNIE PARR a) reserved Reesa 11. Roaming Bears Etching & Aquatint Paper: Arches White Printer: Studio PM 34 x 47 cm $350

Jump to: Introduction | The Paper Print Collection | History | Contents | Additional Information | The George Kleine Collection | The Theodore Roosevelt Association Collection

The best-known materials among these copyright deposits are the full-length paper positive copies that have been copied to film and are described in a published catalog, currently out of print but available in libraries (see the MARVEL document "Moving Image Finding Aids and Guides" for a citation). This restoration project, in which the printed-on-paper images (many without perforations) were re-photographed frame-by-frame onto 16mm celluloid is an interesting story in itself, and garnered an Academy Award for Kemp Niver in 1955.

The Paper Print Collection encompasses the full range of American filmmaking activity during the early years of the industry. The first deposit was received in 1894; the practice ended rather quickly after a 1912 revision of copyright law expanded its protection to motion pictures in their own right. Notable latecomers were a number of 1914 and 1915 Keystone productions.

Print Collection publishes new historic prints and photographs for your inspiration each day. We deliver you museum quality prints for your home or office. Quality reproductions and 100% customer satisfaction guarantee is our top priority.

SIMEONIE TEEVEE a) Reserved Linda 20. Saputiit (Handmade Fish Weir) Stonecut & Stencil Paper: Kizuki Kozo White Printer: Ashoona Ashoona 47.5 x 67 cm $600...

TIM PITSIULAK 4. Ancient Beluga Etching & Chine Collé Paper: Arches White & Tengu-Jo Tissue Blue Printer: Studio PM 64 x 80 cm $1200

ANNIE PARR a) reserved Reesa 11. Roaming Bears Etching & Aquatint Paper: Arches White Printer: Studio PM 34 x 47 cm $350

Jump to: Introduction | The Paper Print Collection | History | Contents | Additional Information | The George Kleine Collection | The Theodore Roosevelt Association Collection

The best-known materials among these copyright deposits are the full-length paper positive copies that have been copied to film and are described in a published catalog, currently out of print but available in libraries (see the MARVEL document "Moving Image Finding Aids and Guides" for a citation). This restoration project, in which the printed-on-paper images (many without perforations) were re-photographed frame-by-frame onto 16mm celluloid is an interesting story in itself, and garnered an Academy Award for Kemp Niver in 1955.

The Paper Print Collection encompasses the full range of American filmmaking activity during the early years of the industry. The first deposit was received in 1894; the practice ended rather quickly after a 1912 revision of copyright law expanded its protection to motion pictures in their own right. Notable latecomers were a number of 1914 and 1915 Keystone productions.

Print Collection publishes new historic prints and photographs for your inspiration each day. We deliver you museum quality prints for your home or office. Quality reproductions and 100% customer satisfaction guarantee is our top priority.

Looking for a holiday-themed classroom activity? Or a road-trip boredom-buster? We have hundreds of Disney-inspired printable coloring pages, mazes, games, and activities for every age and occasion.

SIMEONIE TEEVEE a) Reserved Linda 20. Saputiit (Handmade Fish Weir) Stonecut & Stencil Paper: Kizuki Kozo White Printer: Ashoona Ashoona 47.5 x 67 cm $600...

TIM PITSIULAK 4. Ancient Beluga Etching & Chine Collé Paper: Arches White & Tengu-Jo Tissue Blue Printer: Studio PM 64 x 80 cm $1200

ANNIE PARR a) reserved Reesa 11. Roaming Bears Etching & Aquatint Paper: Arches White Printer: Studio PM 34 x 47 cm $350

SIMEONIE TEEVEE a) Reserved Linda 20. Saputiit (Handmade Fish Weir) Stonecut & Stencil Paper: Kizuki Kozo White Printer: Ashoona Ashoona 47.5 x 67 cm $600...

TIM PITSIULAK 4. Ancient Beluga Etching & Chine Collé Paper: Arches White & Tengu-Jo Tissue Blue Printer: Studio PM 64 x 80 cm $1200

ANNIE PARR a) reserved Reesa 11. Roaming Bears Etching & Aquatint Paper: Arches White Printer: Studio PM 34 x 47 cm $350

Jump to: Introduction | The Paper Print Collection | History | Contents | Additional Information | The George Kleine Collection | The Theodore Roosevelt Association Collection

The best-known materials among these copyright deposits are the full-length paper positive copies that have been copied to film and are described in a published catalog, currently out of print but available in libraries (see the MARVEL document "Moving Image Finding Aids and Guides" for a citation). This restoration project, in which the printed-on-paper images (many without perforations) were re-photographed frame-by-frame onto 16mm celluloid is an interesting story in itself, and garnered an Academy Award for Kemp Niver in 1955.

The Paper Print Collection encompasses the full range of American filmmaking activity during the early years of the industry. The first deposit was received in 1894; the practice ended rather quickly after a 1912 revision of copyright law expanded its protection to motion pictures in their own right. Notable latecomers were a number of 1914 and 1915 Keystone productions.